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Contents

Introduction

Meter

Sound

Works Cited

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Introduction to Sound and Meter

When most people think of poetry, the first things they think of are sound and meter. For thousands of years, poetic form has been defined by its cadence, its sing-song rhythms, and its sound effects. Contrary to what many readers of contemporary poetry believe, free verse is not mostly a random display of words and phrases; that couldn’t be any further from the truth.

While it is true that free verse poetry does not subscribe to the set meters and forms that defined earlier forms of verse, it must still deal with these elements. If form in a poem relies almost entirely on two major aspects: the visual and aural elements of a poem— then the poet who seeks to shape a poem has little choice but to learn the elements of sound. While on the surface it may seem that free verse has pulled the poet away from the sound elements in a poem, in reality it has made the poet’s task more complex. Since the poet is now free to irregularly change the rhythms and sounds throughout a poem, he/she has many more choices to make with every word put on the page. T. S. Eliot said in his essay"The Music of Poetry" in 1942 that "no verse is free for the man who wants to do a good job", and, although written 60 years ago, it still holds true. The early 20th century changed forever the way we look at poetic form.

When dealing with the aural aspects of a poem, two words always come up: sound and meter. These words are difficult to define and have many different aspects. Because of these difficulties, perhaps it is useful to think of these terms in the language of metaphor. If you think of the aural elements of a poem in terms of musical notation, you could think of meter as the rhythm created by the words (the horizontal movement of a piece of music, cutting up time into bigger or smaller increments) and sound as the notes of the piece of music (or the vertical movement, repeating sounds and syllables to create a "melody.") Each of these two elements are complex and require an in-depth definition. First, let’s start with meter.

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Handout written by Sean M. Conrey
HTML Markup by Erin Karper

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"No verse can be free, it must be governed by some measure, but not by the old measure."

From "On Measure— Statement for Cid Corman," by William Carlos Williams


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